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This Story Begins and Ends with Us; Recent work by Basma Alsharif

  • Curated by Erik Martinson & cheyanne turions Co-presentation with A Space Gallery, the Images Festival and Trinity Square Video
  • Saturday, June 2 – Saturday, July 14 Artist Talk, Thursday, July 12, 5 pm In conjunction with No Reading After the Internet The Re-Enactments Workshop Tuesday, July 10, 10 am – 5 pm Public Presentation Thursday, July 12, 7 – 9 pm @ Trinity Square Video, 401 Richmond St. W., Suite 376
  • @ A Space Gallery, 401 Richmond St. W., Suite 110

Part of Summer 2012

Pleasure Dome, A Space, the Images Festival and Trinity Square Video are pleased to present This Story Begins and Ends with Us, an exhibition by artist Basma Alsharif. With a skillful play between moving images, text, translation and voice, the media work of Alsharif calls out the viewer’s position of watching, asking us to reconsider the certainty with which we know the world. Alsharif’s practice evinces an interest in how people relate to and internalize geopolitical shifts that occur within their lifetimes, and those they carry with them from past generations. Weaving structural visual codes with material archives, her aim is to decentralize content and produce work that operates through a multi-vantage perspective, thereby transforming information into a visceral experience.

Curated by Erik Martinson and cheyanne turions, This Story Begins and Ends with Us will feature recent work by Alsharif, including The Story of Milk & Honey (2011), Turkish Delight (2010), We Began By Measuring Distance (2009), and Everywhere was the Same (2007). Alongside this showcase of Alsharif’s work will be Peer Pressure, a curatorial initiative by the artist, featuring a contextualization of her practice through the influence of her peers. What links these works together is the kind of questioning the artists perform in regards to their environments (physical, virtual and/or formal), and the way the artists push the boundaries of the mediums and genres in which they work, thereby creating a kind of positive peer pressure.

The artist talk at A Space, in collaboration with No Reading After the Internet, will feature selections from Helter Skelter (1974), the true crime classic, which will be offered up as a way to examine an author’s or artist’s relationship to historical detail and corresponding ideas of accuracy.

Born in Kuwait to Palestinian parents, Basma Alsharif spent her early childhood in France, and then immigrated to the US after being denied residency. She received an MFA from UIC in 2007 and relocated to Egypt. Alsharif has since worked between the US, Egypt, Lebanon, Jordan and the UAE on multi-media and single channel installation works. Alsharif’s work has shown in exhibitions and film festivals internationally.

Alsharif will also be leading a workshop at Trinity Square Video entitled The Re-Enactments. The workshop is aimed at artists interested in exploring issues outside of their practice or current projects. Participants will explore the functional uses of re-enactments within various societies, leading to a group exhibition that reflects the activities of the workshop. For more information and registration, please visit www.trinitysquarevideo.com.

Special thanks to the Canada Council for their support of this programming through their Visiting Foreign Artist program and to Circuit Gallery for their generous support in creating the artist’s prints.
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